摘要
The emergence of the 'complete drawing book' in mid-eighteenth-century England was a remarkable phenomenon. Launched by print sellers as a new educational commodity, this particular type of drawing book exhibited both commercial acumen and cultural ambition by presenting a comprehensive programme to satisfy public desire for drawing instruction. It also embodied a subtle process of cultural assimilation and influence. Various kinds of pictorial model were assembled from diverse sources and organised in a way that visualised the 'hierarchy of genres'. The complete drawing books thus played a role in shaping public perception of what constituted art within that hierarchy.
原文 | ???core.languages.en_GB??? |
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頁(從 - 到) | 395-414 |
頁數 | 20 |
期刊 | Journal for Eighteenth-Century Studies |
卷 | 36 |
發行號 | 3 |
DOIs | |
出版狀態 | 已出版 - 9月 2013 |