@inproceedings{56959a2339bb48f895eb9cc8776e388b,
title = "Compact LTCC tri-band filter design",
abstract = "A compact multi-band bandpass filter design with low-temperature co-fired ceramic (LTCC) technology is proposed in this paper. Using divided combline resonators with grounded and coupled capacitors, dual-band (2.4 GHz and 5.5 GHz) and triband (2, 4 and 7 GHz) bandpass filters are obtained. Moreover, while the number of the pass bands increase, the volume of the filter remains almost unchanged. The theoretical analysis of the prototype filters is described in the paper. The measurement and layouts of fabricated components are also presented.",
keywords = "Component, Coupled tine, Dual-band bandpass filter, Low-temperature co-fired ceramic (LTCC), Tri-band bandpass filter",
author = "Kengyi Huang and Tsenchieh Chiu and Wu, {Hann Biau}",
note = "Funding Information: This essay aims to contribute to this on-going process of “defining digital art history and its relationship to the larger fields of digi- tal humanities and art history.”7 We coin the expression “slow digital art history” for describing our research methodology and philosophy.8 In doing so, we do not wish to imply that there is some kind of “fast digital art history” – let alone one that would be of inferior quality. We simply want to highlight that our use of digital tools is preceded, inspired, and fueled by a time-consuming process of searching, collecting, organizing, and processing a vast amount and a wide array of archival documents containing rich yet complex data. This process is, for all intents and purposes, slow. In this essay, we introduce MapTap. Mapping the Antwerp-Brussels-Oudenarde Tapestry Complex via Network Analysis (1620 – 1720), an ongoing international and interdisciplinary research project funded by KU Leuven and the Flemish Science Foundation (FWO-Vlaanderen) (2012 – 2016).9 We first show that MapTap{\textquoteright}s research questions and methodology are traditionally materialist. In the second part, we introduce the booming yet still slightly amorphous field and methodological framework in which Map-Tap operates, that is, formal historical network research (HNR).10 After a discussion of some key precepts and challenges of HNR, we introduce, in the third part, our custom-made digital tool underpinning MapTap{\textquoteright}s research ambitions. This tool is a database named Cornelia. Finally, a case study that removes or at least mitigates traditional layers of bias against women shows one way in which Cornelia can help us to come to an inclusive understanding of the interplay be- tween the dynamics of social structure on the one hand and artistic developments in Flemish tapestry on the other. Funding Information: 4 Diane M. Zorich, Digital Art History: A Community Assessment, in: Visual Resources 29, 2013, 14–21. The 2011 survey was sponsored by the Samuel H. Kress Foundation in conjunction with the Roy Rosenzweig Center for History and New Media at George Mason University, Fairfax, Virginia.; Asia-Pacific Microwave Conference, APMC 2007 ; Conference date: 11-12-2007 Through 14-12-2007",
year = "2007",
doi = "10.1109/APMC.2007.4555017",
language = "???core.languages.en_GB???",
isbn = "1424407494",
series = "Asia-Pacific Microwave Conference Proceedings, APMC",
booktitle = "2007 Asia-Pacific Microwave Conference, APMC",
}